On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway w@地下富婆俱乐部@aiting to fly to Britain. As he absorbed the news of.. On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway w@地下富婆俱乐部@aiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. McCartney reached out to master documentarian and long-time friend Albert Maysles, inviti@律政俏佳人3@ng Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Ove@游戏王混沌力量城之内篇全卡@r several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in @薄行止阮苏小说免费阅读全文@perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.详情
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